Apps Uncovered Sep 28 2012

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28 Sep

Apps Uncovered Sep 28 2012

Apps Uncovered Fri 28 Sep 2012

Here are this week's outstanding images from our iPC Flickr group chosen by Bob Weil. If you would like the chance to feature in this weekly gallery and are willing to share your apps used and any story behind your image please submit your work to the iPC Flickr group.

Title: man in desert

Artist: Jun Yamaguchi

Apps Used/Backstory: iPod touch's camera / brushes+photoforge 2+scratchcam fx

Title: Staithes, from Cowbar Bank, Yorkshire

Artist: Grangefirth

Apps Used/Backstory: iPhone + Jimmy Lens + Jolly Rainbo Flash + DC Film

Title: Untitled

Artist: Paolo Ricciotti

Apps Used/Backstory: iPhone4 + PicGrunger + FilterStorm + Snapseed + Superimpose + KingCamera + Hipstamatic

Title: Dual

Artist: photoangie

Apps Used/Backstory: I used scratchcam, slow shutter cam, diptic, big lens, and monochromia.

Title:

Title: Untitled

Artist: Clay Benskin

Apps Used/Backstory: iPhone + ProCamera(to shoot) + Snapseed(to edit)

Title: Man Contemplating His Contemplations

Artist: Roger Guetta

Apps Used/Backstory: iPhone4 + FlowPaper + Snapseed + PhotoTexture + ImageBlender + TouchUp + SlowShutter

Title: he

Artist: Koshi

Apps Used/Backstory: To be confirmed

Title: finally i arrived the beach

Artist: Jun Yamaguchi

Apps Used/Backstory: iPod touch's camera / brushes+photoforge 2+ pixlromatic+scratchcam fx

Title: Bud

Artist: Sheldon Serkin

Apps Used/Backstory: Hipstamatic

Title: Ginza street

Artist: 10_ya

Apps Used/Backstory: iPhone4S native cam + Snapseed + Noir + Filterstorm

Title: "Singin' in the Rain

Artist: RobinLDN

Apps Used/Backstory: This was taken using iPhone4 - ProCamera and processed through SnapSeed

Title: Sorrow

Artist: Sarah Jarrett

Apps Used/Backstory: Apps used : Slowshuttercam and Snapseed

This is part of a series of self portraits I have been making using Slowshuttercam. Recently I have been experimenting with shooting in very low light - literally just the last light of day coming through the windows in a dark room. My reason for doing this is to get a more obvious blur and to get more grain in the picture. I find this is a real test of patience more so than in daylight and many takes are unusable but just occasionally it delivers something unpredictably good. I think this is the reason I've stuck with slow shutter for so long, the unknown outcome is very exciting. In the picture I was really tired after a busy day and it gave a very mournful, sad mood to the image emphasised by the blue and purple tones I choose in editing.